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Before & after — real transformations

Commissions from my Carouge atelier: inherited jewellery, heirlooms, pieces that stopped being worn — each remodelled into something worn again.

 

The piece that came in, beside the piece that went out.

A grandmother's ring → Amethyst, turned

 

Her grandmother's ring — a deep purple amethyst in a heavy claw setting, worn by nobody for years.

The stone came out, and went back in upside down. What was hidden underneath — the faceted pavilion — became the face of the ring, catching the light in a way the old setting never let it.

The same stone her grandmother wore, seen from the other side.

A grandmother's amethyst ring, transformed — the stone reset upside down to catch the light
One lost sapphire earring's surviving half, remade as a pair of mismatched studs
One earring became three pieces
→ A pair of studs

 

She lost one of her favourite sapphire earrings and kept the survivor in a drawer for years — too pretty to throw away, impossible to wear alone.

Its two clusters came apart and became a pair of deliberately mismatched studs: one blue-haloed, one gold, just as the original was.

One orphan earring, worn again as two.

The diamond from the same earring, reset in a pavé halo pendant
The leftover diamond
→ A pendant

 

The same earring had a diamond between its two clusters. It went nowhere near the drawer this time.

 

Set in a pavé halo on a fine chain — the third piece from a single lost earring.

Another grandmother's ring → A pendant, stone reversed

 

Different client, same instinct: her grandmother's amethyst, set upside down so the faceted underside faces the light — this time as a pendant in a plain gold bezel.

 

Two families arrived at the same idea without knowing it.

Another heirloom amethyst, reversed and hung as a pendant in a plain gold bezel
A classic diamond solitaire, redesigned with a sunburst halo of baguette diamonds
A solitaire → An Art Deco halo

 

A classic solitaire that no longer looked like the woman wearing it.

 

The original diamond stayed; a sunburst halo of baguettes grew around it.

 

Same stone, same promise — a different ring.

Great-grandmother's earrings → Two pendants

 

Two carved black flowers, broken and unworn since her great-grandmother's day.

 

Each became a gold-hung pendant — one for her, one for her daughter.

 

Four generations, still wearing the same flowers.

Great-grandmother's carved black flower earrings, remounted as two gold pendants
Diamonds from an inherited bangle, regrouped into a cluster ring
Grandmother's bracelet → A diamond cluster ring

 

A diamond-set bangle, inherited and never worn.

 

The stones came out of their row and regrouped as a cluster ring — the same diamonds, rearranged from a straight line into something with movement.

 

Out of the box, onto her hand.

A heavy curb chain → A Knife Edge chain

 

A dated curb chain with real weight to it.

The gold was melted and remade as a chain from my Knife Edge collection — the same metal, in a design she'd have chosen anyway.

A heavy curb chain, its gold melted and remade as a Knife Edge necklace
An 18ct gold tassel necklace with amethyst, peridot and aquamarine, split into a pair of drop earrings
A tasselled necklace → A pair of drops

An 18ct gold tassel necklace — amethyst, peridot, aquamarine — that never left its box.

 

The cascade was split in two: the same stones on the same fine chains, now a pair of drop earrings that actually get worn.

Unworn white gold → An emerald statement ring

 

A pearl-set branch necklace and a small emerald ring, all 18ct white gold, all unworn.

 

The emerald was reset flush in a wide banded ring — a quiet stone made into the whole point of the piece.

An unworn emerald and a pearl-set necklace in white gold, reworked into one emerald statement ring
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